Of course you have to double check how it sounds and then re-adjust. Aligning a vocal perfectly without visual cues is impossible. Melodyne/Flex time and pitch I think may take a little more time with a superior result over vocal align that visually gets you where you want, but not sonically.It is just as much a visual thing as an ear thing. It ends up sounding more like an effect than if you were to manipulate and tweak it further.
On certain projects that are poppy with a ton of vocals and heavy tuning and editing there is still a lot of benefit to tuning and aligning the stacks in such a way that they naturally resonate and have some pitch width between them. A lot of times it's easy to remove whats good about the way the notes resonate when you start moving waveforms around. Powerful Performance Controls invite you to explore and play with the sounds you choose. It comes with an enormous library of over 3,000 sounds and a keyword browser to quickly zero in on what you’re looking for. Usually when someone is stacking a part they are blending with it. Alchemy, the ultimate sample-manipulation synthesizer, is the most powerful instrument in Logic Pro. Using waveforms to align short consanant stuff can work but when you hear 'notes' you might want to rethink it. Vocal align is more trouble than its worth.
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